Ten Snaps: The Isle of Skye

Last week, I went to the Isle of Skye with Kim Curran and Amy Alward for a writing retreat. And, unexpectedly, the photographer JB Knibbs, due to a fortunate communication mishap. After getting over the surprise of someone already being at the house, and her expected solitude interrupted, we all got along brilliantly.

We wrote some words, we did some adventuring (rain or shine–mostly rain, except for the one day we tried to go for a walk and didn’t even make it to the gate due to horizontal rain-hail in the face). We ate scones and drank mulled cider. It was an excellent trip in a beautiful corner of the world.

And now the ten snaps:

On the way to Skye
skye02 - Copy
Eilean Donan Castle
Bank of Scotland in Gaelic
Scones! The top one is shaped like a cat
The Quaraing in Skye
Cow crossing!
Amy Alward traipsing through the Fairy Glen
The Fairy Glen
Mulled cider
The Fairy Pools

For more photos, follow me on Instagram. In addition to travel snaps, I also post photos of cats, food, bookish things, and things I see while walking about.


On That Article from that Former MFA Professor, from a Current MFA Student

I’m currently most of the way through my MLitt in Creative Writing. When that article from a former MFA professor circulated around, all I could think is: man, I feel really sorry for his former students. Also, I’m glad my professors aren’t like that, because otherwise I’d have quit.

There have been other responses. Chuck Wendig has a one, as does Foz Meadows.

The condescension drips from that article, and is basically a load of tosh. I’m an experienced writer (I guess?), so if I’d been in a class and heard a teacher come out with these sorts of things, I’d know to ignore them. Maybe if I was brave enough, I’d call them out on it.

For a new writer, just finding their voice and figuring out what they want to write and gathering the confidence to do it, this could be very toxic.

If your main hope is that most of your students come out of the MFA to become better readers rather than better writers? That’s a problem. You should want all your students to improve their writing. Otherwise, what are you teaching them?

An MFA student is probably paying a lot to pursue the course. My MFA is £3400, and that’s a lot cheaper than many places outside of Scotland. Then there’s the wages they’re losing by not-working or working part-time to devote the time to improving their craft. It’s a big investment. The least you can do is not write off most of them as doomed to be failures. Yes, not everyone who gets an MFA in creative writing goes on to become a published novelist, or poet, or screenwriter. They might not WANT to, and that’s fine, too. Not everyone coming into the course will necessarily have the same skill sets or experience. Some might not want to write the type of literature that the teacher adores. I don’t need to pay that much money for someone to look down on me. That doesn’t mean I expect my teachers to say all my writing is brilliant. I expect them to teach me new approaches, skills, and ways of looking at my craft.

I have done a bit of creative writing teaching, mostly for teenagers at school visits, but I’ve taught most age groups now. I would never, ever tell these students they’re awful. I would point out ways to improve, say it needs more work or a different approach. I would never tear a student down. If someone had done that to me at 16, maybe I wouldn’t have books out now.

Perhaps the reason he can dismiss his students so easily is because he thinks writers are born with talent. No. No no no. Sure, some people might be more predisposed to writing than others. Some might find it easier. Some might enjoy it more. Some might be able to write a publishable novel on the first go, and some might take a few practice novels first. But no one springs from the womb ready to write a perfect novel without doing any sort of work at their craft.

I’ve re-read the aborted novel I started when I was 16. Certain bits of it were actually okay. Most of it was unfocused. There were some nice turns of phrases, and a lot of clunky ones. I had no idea what I was doing with the plot. I had fairies and cat people, and no clear reason as to why or how they fit into the world, which was sketchily built at best. My characters weren’t particularly engaging. The first line, for crying out loud, was “the sunset was as red as blood.” Pretty cliche. Years went by. I read a lot. I wrote a lot. I got better.

If you put your hands up and say “well you either have it or you don’t” then you’re giving up on teaching them anything and you’re not taking responsibility for trying to.

If you didn’t decide to take writing seriously by the time you were a teenager, you’re probably not going to make it.

Really? Have you met teenagers? Do you remember being a teenager? Not a lot of us knew what we were doing. I certainly didn’t. I was just at a school visit last week and overheard a teen insisting earnestly to another boy that a condom could be used twice. As a teen, you’re learning about so many areas of your life and growing into the person who knows who they want to be and what they want to do.

As a teenager I knew I wanted to be a writer, but I saw it as a very far off goal. I was also thinking about other paths. I was pretty serious about drawing as a teenager, and not bad at it. If I’d focused my attention on art rather than writing, I might be doing that now. Maybe not.

And how many people are there who have sold their debuts in their 50s or older? Plenty. Does that mean they’ve “made it”? That’s such a vague phrase anyway–what does it even mean? For some, making it is finishing something. For others, it’s self-publishing a book to give to friends and family. Maybe they want to publish some short stories in magazines. To others, it’s selling a book to a traditional publisher for a small sum. Still others will only think they’ve made it when they made a million dollars and had a film deal. And even then they might not feel they’ve “made it.” The goalposts always change. It’s a meaningless phrase.

If you complain about not having time to write, please do us both a favor and drop out.

That I agree with, shockingly. Yes, you should write while doing your MFA, and devote the time to it. But his response is written with blanket statements. You do not know the circumstances of all your students or what they go through. Last week my dad was in hospital. I wasn’t able to write or finish my uni reading over the weekend. Not all of your students will be able to stop working entirely. For most of last semester, I was working 30 hours a week. Most students aren’t there to piss around. They also have busy lives that can sometimes get in the way.  Sometimes they might be afraid to write, and use time as an excuse.

Also, really, saying if someone asks if they’re a “real writer” they’re obviously not? I’ve written five books and I STILL ask myself if I’m a “real writer.” Every writer suffers from impostor syndrome. A lot of us are bundles of nerves. If you say your students are not “real” writers for having doubts, then you’re a shitty teacher.

If you aren’t a serious reader, don’t expect anyone to read what you write.

Again, yes, you should read a lot if you want to write. It’s the best way to learn. But then he goes on to shame people’s reaching habits, saying you’re a Real Deal if you devour Great Literature as Judged by Him. I tried to read 2666. I like Roberto Bolaño’s shorter work, but the large tome was not for me. Reading The Book of the New Sun by Gene Wolfe is just as challenging, if that’s your goal, but for me it was more rewarding. A lot of creative writing programs aren’t that keen on genres, being mildly tolerant to downright sneery of sci fi, fantasy, and crime. Those are all healthy areas of the bookstore. Those are all ways someone can make a living off their writing, and if they’re writing what they enjoy reading, it’ll show.

No matter what you want to write, reading across a bunch of genres will do you more favours than just reading one type of book.  Don’t shame people for reading books they enjoy. They’ll learn from whatever they read, and then maybe they’ll move onto other kinds of books. I’ll read “trashy” books sometimes. I don’t call them guilty pleasures anymore. I’ve nothing to be guilty about.

No one cares about your problems if you’re a shitty writer.

This whole response is really dismissive of child abuse and trauma. Foz Meadow’s response focuses really well on that. He really, actually said that some of his student’s writing makes them wish they’d suffered more abuse as a child. What in the world? That is an awful thing to say. Imagine someone who wrote about a very personal aspect of their life, and they see their professor wrote this load of tripe.

Even stepping aside from that bombshell–sometimes people write about things from their past, whether intentionally or unintentionally. I did it, early in my writing. I was writing what I knew. It was a good starting point. It was even therapeutic. Were the pieces incredible and moved everyone who read them to tears? No. And I was still learning my craft, so my prose was clunkier. Now my work has made people cry and laugh. But if someone had dismissed my early attempts, it would have set me back.

You don’t need my help to get published.

I really wish creative writing programs focused more on the business aspect of writing. It’s important to understand the business, how money and payment works, what you might expect from a first novel advance. Taxes! The admin side of writing takes up a lot of time (I just spent the morning wrangling my expenses. So exciting). An MFA isn’t a requirement to be published, obviously. But you’d hope by doing one you’d learn some skills that might give you an edge.

But even outside of the nitty gritty aspects, a professor should, ideally, understand the current publishing industry and be able to offer advice to students, should they ask. If a teacher doesn’t feel they know that much about the current state of the industry…maybe learn about it? It’s not that difficult, and it’s part of the job. It’s a huge task, trying to find a home for a piece of writing, and can be so overwhelming to someone just starting out.

Quote: “I find questions about working with agents and editors increasingly old-fashioned. Anyone who claims to have useful information about the publishing industry is lying to you, because nobody knows what the hell is happening. My advice is for writers to reject the old models and take over the production of their own and each other’s work as much as possible.”

You’re advising all your students to self-publish? Eh? Plenty of people still want to go the traditional publishing route, and if so, you should know enough about it to at least point them to some resources. Pretty sure my agent and editors know plenty about the industry they work in, thank you very much. Self-publishing is another valid route to take, but they should know what both paths are like and what they can expect and if it’s right for them.

It’s not important that people think you’re smart.

Yeah, I agree with that. You don’t need to bash someone over the head and go “I’m clever! I’m clever!” with your writing. It can be wearying. A lot of early writers might try that, and a teacher can show them other options or challenge them to try something else. I agree with this, that you don’t need to show an ego to write, and that entertaining writing is a good goal to work towards. “The funny thing is, if you can put your ego on the back burner and focus on giving someone a wonderful reading experience, that’s the cleverest writing.” I agree with this.

It’s important to woodshed.

And then I disagree with this again. “I spent seven years writing work that no one has ever read.” Those 7 years would probably have been more fruitful if he’d shared his work with beta readers. I personally wouldn’t have wanted to delay my writing career by 7 years for…whatever reason. “That’s why I advise anyone serious about writing books to spend at least a few years keeping it secret.” Noooooo. Fine if you want to, but this makes it seem like writing is something to be ashamed of or that no one else can help you with it (even though they just spent a bunch of money hopefully getting help on their writing through an MFA). I enjoy sharing my writing with others. It’s why I write books in the first place. And I’m grateful for the people who read my earlier, uglier drafts. My friend Erica once told me, gently, that I should probably scrap this beginning of a draft of a novel and try a different approach. She was 100% right and I knew it, but hearing it from her helped give me the courage to do that, rather than spending a lot more time on a book that wasn’t working. How can you know if you’re writing something that entertains others if you never show it to them?

Nothing gets under my skin more than someone saying “THIS is definitively the right way to write.” Because for a lot of people, it really won’t be. People want to write different types of things. Just yesterday in class, our teacher asked us what our goals are. Some want to write novels, some poetry, some short stories. One person was interested in getting into screenwriting or documentaries. One writes but her main goal is to become an editor. She’s German, so she came here to develop her writing but also to improve her English so it’s easier to get a job when she’s back home, as many German publishing companies translate works originally in English. Another wants to get into teaching and translating. Some aren’t really sure what they want to focus on yet, but are interested in discovering that through writing more. Every one of my fellow students are worthwhile. None of them should be talked down to or dismissed. We’re all “Real Deals.” We’re there, wanting to learn.

2014 Awards Eligibility

As many authors put up entries on award eligibility, I figured I’d do it, too, just in case anyone wishes to nominate my work:


Shadowplay, January 2014, Strange Chemistry Books

Short Story:

“They Swim Through Sunset Seas” in Solaris Rising 3, August 2014, Solaris Books

If self-published work is eligible for anything:

Vestigial Tales:

“The Snake Charm,” June 2014, Penglass Publishing (novelette)

“The Fisherman’s Net,” July 2014, Penglass Publishing (short story)

“The Tarot Reader,” August 2014, Penglass Publishing (novella)

“The Card Sharp,” September 2014, Penglass Publishing (novelette)

(Note: the Vestigial Tales are on sale for 99 cents each on Amazon and pay-what-you-want on Smashwords. Feel free to download them for free if you’re short on funds, or if you can, buy them for the price of a cup of coffee. Purchase links here.)

Quite nice to see a wee list of all I published last year. A few things to come in 2015, too! :-)

Shadowplay on Fantasy Faction’s Top 50 Fantasy Books of 2014

Shadowplay-CoverWhoohoo! Shadowplay is number 17 on Fantasy Faction’s Best 50 Fantasy Books of 2014! It’s at 17, which is pretty damn awesome. Feels great to be on the list and see some love for Micah. They say:

Shadowplay continues Micah Grey’s story, both in terms of plot and character growth. The interplay between Micah and Drystan, the white clown, is charming and heart-wrenching in equal measure, as Micah struggles to reconcile his past life as Iphigenia with his present life as the runaway circus performer wanted for murder. Beneath this internal conflict lies another far larger and more deadly, and Micah is unwillingly caught up in it.

I loved the world Lam created. She discusses themes of social and sexual inequality and sets them against a backdrop of an advanced civilisation long lost. With its immaculate prose, haunting exposition and brilliant transgender protagonist, this series is doing important things for the genre and is an absolute must read.

Number 1 is Fool’s Assassin by Robin Hobb, which I wholeheartedly agree with, as that’s one of the greatest books ever written, full stop. There’s also a strong Team Mushens presence, with Den Patrick, Liz de Jager, and Jen Williams on there too. Go team! Also nice to see Leigh Bardugo, Laini Taylor, and more.

Any books on the list you’re dying to pick up?

An Update on Pantomime & Shadowplay


It’s 2015 so I can talk about it now.

As of today, the rights to Pantomime & Shadowplay have reverted to me. They’re no longer offered in e-book. It does look like there’s a few print copies still on Amazon and a few other retailers. My guess is that they’ll sell out this stock and that’s it. So you could still grab them in print over the next few days.

When will they be back up again? I’m sorry, but I don’t know just yet, but hopefully it won’t be too long. I’ll let you guys know as soon as I can.

Thank you again to all the readers who have enjoyed the series and told others about it. Word of mouth was all the series had to go on, and kept it ticking along and finding new readers.

It feels a little strange to technically be unpublished again; I’ve no books available for sale. But this is a transitional phase. These will be back up at some point, along with the third book, Masquerade. And there’s False Hearts to come in January 2016 (now only 1 year away!), which I’m very excited to share with you.

In the meantime, if you want to explore the world of Ellada, the four Vestigial Tales are still up, and they’re all off Amazon exclusivity. The novellas star secondary characters in the series and the last is a short fable.

Happy 2015! May it be awesome.

the-tarot-reader-cover the-snake-charm-cover the-fishermans-net-cover TheCardSharpCover

A 2014 Roundup, or: Well, That was Quite a Year

Well, 2014. That was a year. Here’s a brief roundup.

Reading from Shadowplay at Borderlands Books in San Francisco

January 2014: This month had a good start. Shadowplay (Micah Grey #2) was released. I was lucky enough to be able to fly back to San Francisco for this, where I did a few events: a book launch at Borderlands Books, a talk at my alma mater, California State University East Bay, a visit to one of my professor’s classes, and another visit at my old high school, Hayward High. I was also able to do some research trips around San Francisco for the book I’d just finished drafting. I found out Pantomime had been listed a Top Ten Title for the American Library Association Rainbow List. The end of January was less pleasant, for I found out there’d be no contract for Masquerade, Micah Grey #3. I was, frankly, beyond devastated.

Favourite book read in January:  either City of Dragons by Robin Hobb or In the Shadow of Blackbirds by Cat Winters.

Waterstones Aberdeen Launch. Photo credit: Laura Benvie.

February 2014: Licked my wounds, battled depression and anxiety, and kept promoting Pantomime & Shadowplay. I went down to Newcastle for the North East Teen Book Awards, which ended up being very, very timely. I’d been tempted to take a writing hiatus (because I knew I could never quit completely), and here were teens saying my books were some of their favourites of all time, wanting to take photos and have my sign things, and just in general being so sweet and so enthusiastic about books and reading. I came back and threw myself into the new project I’d been editing. I’d finished the first draft at the end of November 2013, and after some great beta reader comments, I was working on turning it into a workable draft. I called it Bonkers Book on social media. I also announced the Vestigial Tales, or my plan to self-publish some short stories/novellas set in the same world as the Micah Grey series. I also had an Aberdeen launch at Waterstones for Shadowplay, and was really touched by how many people came out for it. I seemed pretty on top of things. Behind the scenes, I was still a mess, though I was getting myself together.

Favourite book read in February:  Unteachable by Leah Raeder.

Mowgli assisting with the Robin Hobb scavenger hunt.
Mowgli assisting with the Robin Hobb scavenger hunt.

March 2014: I’d been approached to write a short story for an anthology and in March I was able to announce it as Fablecroft Press did a funding drive for the Cranky Ladies of History, which blasted through its goals. I also got to participate in Robin Hobb’s worldwide scavenger hunt (post with pictures illustrating the clues), and am now friends with the girl who found my present, Louise, and we meet for coffee occasionally. I found out Pantomime had been nominated for the Bisexual Book Award—yay! I went to my friend Rhona McKinnon’s wedding and danced at my first-ever ceilidh.

Favourite book read in March: The House of Small Shadows by Adam Nevill.

Laya’s first piece of fan art for the Micah Grey series

April 2014: There were some good events for #LGBTApril I participated in. I went to my first convention of the year—Eastercon, in Glasgow. As the conventions are usually in England, it was nice to only have to travel 2 hours to get to one, for once! I was on my first panel. I had fun but it was also a difficult convention, as my mental health was still patchy.  There was more ceilidh dancing. I finished editing Bonkers Book and was working on the Vestigial Tales. Laya drew her first (of what proved to since be many) fan art pieces, and I also received some fan mail. I was so touched I wrote an emotional thank you to readers. I finished editing Bonkers Book & sent it to my agent and worked on the Vestigial Tales.

Favourite book read in April: This was a good reading month so I had three: The Coldest Girl in Coldtown by Holly Black, Bitter Greens by Kate Forsyth, and Cress by Marissa Meyer.


May 2014: Pantomime was listed as a Scottish Book Trust Teen Book of the Month! I shared the first Vestigial Tale cover and blurb, for “The Snake Charm.” I went to my friend Elizabeth May’s wedding in Gretna Green and ran my first race, a 10k. By this point my mental health was a lot better. I’d been accepted into a Masters in Creative Writing at the University of Aberdeen.

Favourite book read in May: Fool’s Assassin by Robin Hobb. THIS BOOK. THIS. BOOK. I love it so much.


June 2014: Pantomime WON the Bisexual Book award! I posted my acceptance speech. I released “The Snake Charm,” and it had a great first month! I shared the cover and blurb for “The Fisherman’s Net.” My short story “They Swim Through Sunset Seas,” was accepted in the Solaris Rising 3 anthology. I was nominated for Best Newcomer for the British Fantasy Awards and wrote musings on being a baby writer at the beginning of my career. Strange Chemistry, the publisher of Pantomime & Shadowplay, announced that it was closing down very suddenly. I participated in a rowing competition for work dressed as Princess Leia. Behind the scenes, I’d received and implemented edits from my agent on Bonkers Book and it was getting ready to go out on wide submission.

Favourite book read in June: Fangirl by Rainbow Rowell.


July 2014 aka THE MONTH MY LIFE CHANGED:  Vestigial Tales: I posted a roundup of “The Snake Charm” and its first month sales, launched “The Fisherman’s Net,” shared “The Tarot Reader’s” blurb and cover, and went on the local radio. Tor/Macmillan offered pre-emptively on Bonkers Book aka False Hearts, changing my life. It was right before a big work audit and I was trying to concentrate on spreadsheets while internally screaming with glee. The press release went live on July 25th. I told work I wanted to stop working full-time. My friend Erica came out to visit from California.

Favourite book read in July: Daughter of the Forest by Juliet Marillier and Natural Causes by James Oswald.

Best selfie ever: Ewa, Kim, Mahvesh, Me, Anne, Jared. Photocred: Mahvesh Murad
Loncon3. Photo credit: Mahvesh Murad

August 2014 aka THE MONTH OF ALL THE CONS: Vestigial Tales: I posted my month 2 roundup of being a hybrid author, launched “The Tarot Reader,” and unveiled the cover and blurb for “The Card Sharp.” Erica and I took a day trip to Edinburgh for the Fringe Festival. I went to Nine Worlds in London and had a great time—definitely my favourite con of the year. I went to some other London events such as the Broken Monsters launch for Lauren Beukes and the Fantasy in the Court event at Goldsboro Books, where I got to meet some people from my new publisher, like my editor Julie Crisp, for the first time. Then it was time for another convention, Loncon3. I went back to Aberdeen, exhausted.

Favourite book read in August: Tipping the Velvet by Sarah Waters.

Reading from False Hearts at Fantasycon


September 2014: Vestigial Tales: another monthly roundup and launching the last of the Tales (for now), “The Card Sharp.” The cons weren’t over! I journeyed down to York for Fantasycon. My husband and I celebrated our 5 year anniversary/10 years of being together. I did some events for #WriteCity in Aberdeen, doing both public events and school visits throughout the city. I started my Masters in Creative Writing at the University of Aberdeen and began reducing my hours slightly at work. I was able to announce that False Hearts will be published in the US through Tor/Forge and in Italy through Fanucci Editore. Peter F. Hamilton blurbed the book (!), calling it: “A smart debut from someone who’s clearly got what it takes.” I went down to Winchester for Amy Alward’s beautiful wedding. I became a British citizen!

Favourite book read in September: Broken Monsters by Lauren Beukes.

More Laya art! Aenea on the trapeze.
More Laya art! Aenea on the trapeze.

October 2014, or THE MONTH OF NO FREE TIME: I did my full-time masters. I did more school visits. I worked around 30 hours a week at the day job. I tried to write, but that didn’t really happen. Pantomime was listed as Gay YA’s October Book of the Month and they did lots of great promotion. I managed to post another Vestigial Tale monthly roundup. I really missed sleep and free time, but by the end of the month, my replacement had started and been trained and I dropped down to around 12 hours a week for work. I finished the first draft of Masquerade, finally.

Favourite book read in October: Jane Eyre by Charlotte Brontë (for uni).

Traffic cone or wizard hat? Glasgow.
Traffic cone or wizard hat? Glasgow.

November 2014: I did my full-time masters. I worked part-time. I stupidly decided I’d do NaNoWriMo because who needs free time, right, though I had to adjust my goals to include blogging and university work. My nephew, Theo, was born on November 5th. Shadowplay was Gay YA’s November Book of the Month and False Hearts sold in Germany to Heyne Verlag. Shadowplay was nominated for the ALA Rainbow List! I posted another hybrid author roundup. I took a weekend trip to Glasgow. I “won” NaNoWriMo by the skin of my teeth and swore I’ll never do it again, but it does mean I wrote a good chunk of Brainfreeze Book, my option book for Tor. Things happened behind the scenes regarding *stuff.*

Favourite book read in November:  Isla and the Happily Ever After by Stephanie Perkins, with an honourable mention to the Complete Atopia Chronicles by Matthew Mather.

The double rainbow in Arran.
The double rainbow in Arran.

December 2014: I finished up the first semester of my Masters degree. I went to London for my agent’s Christmas party. I went to the Isle of Arran on my first-ever writing retreat with Elizabeth May and Emma Trevayne, editing Masquerade for beta readers. I waited to hear about *stuff* and tried to be patient (and failed). I was called back into the day job almost full-time for a little bit. Stress. Stress. Stress. Aaaaand relax. Got ready for Christmas. Ate all the food. Now: reading, watching a lot of TV and slowly editing what I wrote of Brainfreeze Book and sorting through Masquerade beta comments.

Favourite book read in December: The Bone Clocks by David Mitchell.

And that was my year. Let’s see what 2015 brings!

The Isle of Arran Writing Retreat

Last week was my first proper week off in…a long time. Except it wasn’t really a week off–I went to the Isle of Arran with Elizabeth May and Emma Trevayne for a writing retreat. But it was the first week in so long where I wasn’t going to the day job, or going to a convention, or going to class or doing homework, or on holiday somewhere where you explore all day. I sat on my butt, didn’t move off of it much, and was a proper full time writer for one whole glorious week.

On the ferry to Arran


It did have a bit of drama: the day after we arrived the weather worsened, to the point where we were technically trapped on the island for two days as the ferries weren’t running. Due to the microclimates on the island, it’d be sunny one minute and furiously hailing the next. Wednesday night, lightning flashed and thunder shook the Retreat Cottage of Wonder (and Whisky). Because it was cold and we had the heating up high, a few wasps came out of hibernation. Only queen wasps hibernate. They were the size of small birds (slight exaggeration) and we had to vanquish them with a hoover.

The nearby town of Lamlash, where we went for supplies
In search of vittles
The view from our window. I know, right? That’s Holy Isle, which has a Tibetan monastery.


Aside from that, it was a lot of writing and eating a lot of cheese.

What I did:

– Finished re-reading Pantomime (to refresh myself for Masquerade‘s edits. And whoo man, it was really weird reading a book I wrote in 2010-2012. In general I still like it, but there’s also plenty I’d change, and I can tell my writing’s grown and matured)

– Re-read Shadowplay (because this was written in 2012-2013, it wasn’t as painful to read)

– Edit Masquerade into a readable draft, as that first draft was most definitely not. This was what took most of the week. It’s now out with the first round of betas.

My main task
My main task

– Edit my short story, “The Lioness,” which will be released in the Cranky Ladies of History anthology from Fablecroft Press next year. It’s about a badass lady pirate who killed a lot of people (Jeanne de Clisson).

– Read 1 book for the Bisexual Book Award I’m helping judge (in the general fiction category).

– Finish my research book on corporate espionage for Brainfreeze Book (my option book for Tor).

– I also managed some fun reading: most of The Fire Sermon by Francesca Haig and some of The Bone Clocks by David Mitchell.

arran11 arran10

The morning we left, the rain cleared up a little, and a perfect, marvelous double rainbow bid us farewell.

This week I’ve been thrown back into day job stress, but as of next week that calms down and then there’s the Christmas break. I’ll either actually take the break off work entirely, or I’ll start drafting Brainfreeze Book again (which I’m currently 40k through).

It was a marvelous week, and I think I’m going to have to find a way to go on more writing retreats.